Gender, any & all.

male

Area location: Country with Optional State, Province etc.

Santiago, Chile

Why I wish to join The Temple & how I found out about it...

"I arrived here tracing the exoteric footprint of a Fideicommissum issue. I've spent considerable time in the Nag Hammadi codices and the Cassiopean transcripts regarding the Saturn-Moon Recycling Trap, but the operational specifics of Reversing the Apport for a House with pre-existing Akashic Fidelity markers are conspicuously absent from public discourse. I wish to join to ascertain whether this Temple serves as a mere library for the curious, or if it contains an inner chamber conversant in the practical Exit Protocol for Bloodline Karma before the fall of the Tower

Which spiritual path do you follow?

Solar High Magic (Abrahamic Lineage Uncorrupted) integrated with Pre-Dynastic Egyptian Transfiguration Science and operational Kabbalah of the Upper Tree.

About Myself & My Interests...

My interest is strictly procedural. I am engaged in the forensic audit of ancestral structural obligations and the verification of effective protocols for Severing the Egregore Link without triggering custodial counter-argument. I observe. I verify. I document.

My Teachers & Influences, What was it about them that influenced me?

Inner guidance mainly, accessing my own Akashic records and from our abrahamic lineage, and The precision of Franz Bardon's systemic approach to evocation (the non-negotiable necessity of equilibrium). The cosmological mapping of the Ra Material (specifically the mechanics of the Law of Confusion). The archival rigor of Fritz Springmeier's deconstruction of bloodline programming structures.

Authors and/or Books I appreciate:

- Corpus Hermeticum (Copenhaver Translation)
- Pistis Sophia (Mead Translation)
- The Nag Hammadi Library (Robinson)
- Initiation into Hermetics (Bardon)
- The Ra Material (Books I-V)
- Bloodlines of the Illuminati (Springmeier)
- The Eighth Tower (Keel) — para entender al adversario sin caer en su narrativa.

Musicians and/or Music I appreciate:

- Johann Sebastian Bach (The Mathematical Precision of the Divine Structure, particularly The Art of Fugue).
- Hildegard von Bingen (Direct transmission of Celestial Frequency).
- Arvo Pärt (Holy Minimalism as sonic architecture for the Etheric Body).
- Dead Can Dance (For the invocation of the pre-Christian Mythic Substrate).

Films and/or Film-Makers & Actors I appreciate:

- Stalker (Andrei Tarkovsky) — El viaje iniciático hacia la Zona como metáfora de la cámara interior.
- The Holy Mountain (Alejandro Jodorowsky) — La deconstrucción alquímica del ego planetario.
- Eyes Wide Shut (Stanley Kubrick) — Un mapa exotérico de la estructura de poder de las élites (aunque sea ficción, el simbolismo es preciso).
- Pi (Darren Aronofsky) — La locura y la revelación de acceder al patrón numérico del universo (la Cábala matemática).

Artists and/or Art I appreciate:

- William Blake (The Ancient of Days — La visión del Demiurgo y la geometría sagrada).
- Gustave Doré (Las ilustraciones del Paraíso Perdido y la Divina Comedia como mapas de los reinos interdimensionales).
- H.R. Giger (No por lo alienígena, sino por la representación honesta de la biomecánica de la Matriz de Control).
- Alchemical Emblems of the 17th Century (Michael Maier, Basil Valentine) — La codificación visual de los procesos de Transfiguración.