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It was while writing a Diary that I discovered how to capture the living moments.
Keeping a Diary all my life helped me to discover some basic elements essential to the vitality of writing.
When I speak of the relationship between my diary and writing I do not intend to generalize as to the value of keeping a diary, or to advise anyone to do so, but merely to extract from this habit certain discoveries which can be easily transposed to other kinds of writing.
Of these the most important is naturalness and spontaneity. These elements sprung, I observed, from my freedom of selection: in the Diary I only wrote of what interested me genuinely, what I felt most strongly at the moment, and I found this fervor, this enthusiasm produced a vividness which often withered in the formal work. Improvisation, free association, obedience to mood, impulse, bought forth countless images, portraits, descriptions, impressionistic sketches, symphonic experiments, from which I could dip at any time for material.
The Diary dealing always with the immediate present, the warm, the near, being written at white heat, developed a love of the living moment, of the immediate emotional reaction to experience, which revealed the power of recreation to lie in the sensibilities rather than in memory or critical intellectual perception.
The Diary, creating a vast tapestry, a web, exposing constantly the relation between past and present, weaving meticulously the invisible interaction, noting the repetitions of themes, developed in the sense of the totality of personality, this tale without beginning or end which encloses all things, and relates all things, as a strong antidote to the unrelatedness, incoherence and disintegration of the modern man. I could follow the inevitable pattern and obtain a large, panoramic view of character.
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